Chicago Jazz Philharmonic
Seven ideas, five minutes. Every one of them is buildable this year.
From Greg Spero, Chicago jazz pianist, now building software in Los Angeles.
01The week
Six more teaching days a week, with no extra staff on Saturday.
Today. One Saturday with a teaching artist.
With a practice mentor. Seven days.
A Jazz Academy student sees a teaching artist on Saturday, then practices alone for six days.
The mentor is there the other six.
02The mentor
Feedback on every practice session, for about $14 a student a year.
Pitch and rhythm listening is already licensable at that price (MakeMusic Cloud).
The improvising coach is the part that gets built.
Text first. Voice only if CJP wants it.
The F# is 20 cents flat. Rhythm is locked. Try it again at 80 bpm.
Ask Orbert
Listen to the bridge three times before you play a note, until you can sing it. Then play the one phrase you already hear in your head, and let the rest come from there.
Example screen
03The archive
About $540 turns 1,500 hours of your teaching into something a student can look up.
Example
The Real Deal archive, residency masterclasses, and Saturday rehearsals, transcribed and indexed.
About $540 to transcribe 500 three-hour shows, at $0.006 a minute.
Only if WDCB agrees the archive can be used.
04The catalog
Nineteen more courses out of Saturdays you already teach, at the $55 CJP University already charges.
A masterclass recorded once on Saturday becomes a course in days, with AI-assisted editing.
The material already exists in every Saturday masterclass.
Marcus practiced 4 days, 52 minutes. Working on: F# in the upper register.
Example screen
05The Saturday
Every teaching artist walks in knowing who practiced, who is stuck, and who is ready.
No one spends the first twenty minutes finding out.
Parents get a weekly note that CJP approves before it sends.
06The evidence
A year of practice data is the one thing a district asks for that CJP cannot show yet.
JazzALIVE is already inside Chicago Public Schools, and DMDL has been in Chicago classrooms since 2001.
The Jazz Academy survey numbers are the starting line. A year of home-practice data is what a district asks for next.
07Sequence
Records, consent, and a phone on a tripod. The build starts next year.
This school year
Next year
After
Decisions that stay with CJP: kids’ data and consent, archive rights, whether any voice is ever used, and production capacity.